Throughout its rich and storied history, Rome has come back from invaders and setbacks of all descriptions.
The Eternal City will surely do so once again. The world’s prayers are will you.
As you all know, the situation in the country we all love so much is dire. ‘We the Italians’ founder, Umberto Mucci has undertaken a fundraising campaign to assist on behalf of the Spallanzani Hospital, the leading Italian hospital for infectious diseases. Spallanzani Hospital represents one of the front lines of doctors, nurses and researchers who are working tirelessly to save as many lives as possible. In this video link the hospital’s Director General, Marta Branca, explains the situation and what the Spallanzani Hospital needs most urgently. https://www.gofundme.com/f/we-the-italians-against-coronavirus
Please donate and help the Italy that you love and want to visit again. No amount is too small; and please share the video link on your social media accounts. Whatever you are able to do as well as your prayers, will be gratefully appreciated. Both Marta and ‘We the Italians’ promise that the entirety of funds raised will go directly to the hospital and be used for the most urgent needs related to the coronavirus crisis.
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Orvieto’s cathedral doesn’t have the global profile of Saint Peter’s in Rome, Saint Mark’s in Venice or the Duomo in Florence, and if the Catholic church were to do a survey of Italy’s most glorious churches it might even trail Milan’s cathedral or Siena’s stunner. But if you arrive in Orvieto on a blue-skied day and stroll up Via Nebbia, then turn the corner with all the tourist signs and cast your gaze heavenward, there’s a good chance that you’ll forget all the others, at least for a while. There before you is the Duomo, in all its grand Gothic glory. Construction began in 1290 but wasn’t completed until three hundred years later, and by that time, according to one historian’s count, it had become the collaborative product of 33 architects, 152 sculptors, 68 painters and 90 mosaic artisans.
Art historian Jacob Burckhardt called the Duomo “the greatest and richest polychrome monument in the world.” Pope Leo XIII suggested that on Judgment Day the Duomo’s beauty would levitate it straight to heaven … I think so too!
Napoli, full of complexities and contradictions, defies classification and doesn’t enjoy the bucket list reputation of so many Italian cities. Often treated as a pass-through en route to the Amalfi Coast, Naples is seldom explored and its many beguiling layers are overlooked by most travelers. If you do have the time to visit, you won’t be indifferent: you’ll either love it or feel just the opposite. There is no “in between.” You’re either drawn to its paradox of love, loss, sex, religion, superstition, birth and death or you may want to run away from it. For me, I love it. I felt its magnetism immediately — the good, the bad, and even the “brutti” … the ugly.
Besides being officially recognized by the EU as the home of pizza (pizza having been recently designated by UNESCO as a cultural treasure), Naples has a rich history and many spectacular Baroque churches. Not always as spiffy as other cities, it offers a veritable feast for the urban photographer. It’s sacred and profane. It’s both Old World and kitsch; camp and hip; seductive and bewildering. It’s chaotic and random; gritty, edgy and operatic. And somehow also pious, and even at times … serene. Napoli throbs with life, exuberance and color.