The Belmont section of the Bronx, called simply “Arthur Avenue,” is the most intact Little Italy in the United States. Within six square blocks you’ll find over two dozen family-owned Italian food shops and restaurants, many of which are over 100 years old. If you’re an Italian food lover, welcome to paradiso.
Every day five different delis make their own hand-pulled mozzarella. Each one is excellent. There are three bread bakeries to which loyalties are fierce. Butcher shops and fish markets display the best of what’s available that day, leaving little to the imagination because shoppers here demand the highest quality.
What keeps people coming back, both in front of and behind the counter? Love, tradition and loyalty are all good answers, but a recent discovery in the archives of the Bronx Historical Society revealed something more tradition and heritage based. While the official Bronx history books say Belmont was built on land donated by a Gilded Age heiress and named for President Chester Allen Arthur, maps, real estate and tax records reveal this is mere legend.
What is true is that in the early 1900s real estate developers marketed what was still a rural hinterland of New York City to newly arrived Italian immigrants who lived in East Harlem tenements. They called the area “the Italian colonies,” and emphasized that in the Bronx there was clean air and land to plant your own garden. A wealthy Italian immigrant named Pietro Cinelli developed new apartment houses, built his own palazzo right on Arthur Avenue, and even petitioned the Archdiocese of New York to build a Catholic Church for his fellow immigrants. From the very beginning, Belmont was an Italian villaggio in the Bronx. Well over one hundred years later, Arthur Avenue stills draw strength from its deep Italian roots.
Special thanks to Danielle Oteri for this post and the mouth-watering photographs; she is the founder of Arthur Avenue Food Tours. Danielle’s grandparents immigrated here in 1918 and opened a butcher shop on Arthur Avenue. Whether you live in the NYC area or plan to visit soon, one of her yummy food crawls is a must.
Venice, once an exotic East-meets-West Xanadu had by the turn of the 18th century long been a tourist honeypot with Europe’s best courtesans, elegant gambling salons and extravagant festivals like Carnevale. Most famous of all revelers was Casanova whose infamous seductions were, indeed, an expression of Venetian decadence. But then, abruptly, Carnevale was kaput. Napoleon, notorious killjoy that he was, decreed an end to all masquerade balls and public festivities when he took Venice as his own in 1797. It was not until 1979 that the pipers piped and revelers once again reveled thanks to many young art students committed to reviving the craft of mask-making.
Each year around this time, you can experience a joyous re-enactment of the original grand old party (about a 10-day affair)…and partake in a dizzying photographic feast without equal! There are many special public events like the candle-lit parade of boats, concerts, street performances and, of course, people parading around in spectacular period costumes. Also, not to be missed, are the opulent masquerade balls held in Venice’s most exclusive private palazzi which anyone can attend, though tickets are pricey. You can either bring your own costume, better yet, hire sumptuous finery from a Venetian atelier.
(Most of the photographs featured in this post are courtesy of my dear friend and colleague Anita Sanseverino who has been taking dazzling photos of La Bella Italia for decades.)
Plump, naked, and adorable, amorini are those androgynous winged babies that tumble and flutter through Renaissance, Baroque, and Rococo art. You may have also heard the related term putti. Both terms are Latin diminutives; amorini for love and putti for “putus,” meaning “boy child.” Amorini are typically depicted as angelic cherubs in religious scenes or frolicking cupids in mythological narratives. In both cases, their presence, whether divine or earthly, always symbolizes love and joy.
However young these playful, ever-curious and fetching flying bambini appear, they’re quite old . . . going back to classical antiquity, when they were winged messengers of the Greek gods known as “erotes,” members of Aphrodite’s train, who conveyed various forms of love to humans. They were recast as child-angels in early Christian imagery but fell out of favor during the dour and dreary Middle Ages.
Then came their rediscovery, along with a cornucopia of other classical images, during the Renaissance when masters like Donatello and Raphael breathed new life into them, creating a new generation as bacchanalian as their ancestors. Ever popular and ubiquitous today, especially around Valentines’ Day, amorini bring delight and enchantment to whatever tableaux they join.