Mamma is cherished in Italy and has always been the bedrock of the family. Mother’s Day — La Festa della Mamma — was “officially” recognized in Italy in 1958 about fifty years after it was established here in the States. A parish priest began the now annual tradition in the Umbrian hilltown of Assisi in 1957, with surrounding towns joining the celebration of Mamma and her unconditional love. The local festa was so popular, La Festa della Mamma was immediately adopted all across Italy. But even before then a special day for mothers — Giornata Della Madre e del Fanciullo — “The Day of the Mother and Child” had been celebrated in December.
Not surprisingly, images of the Virgin Mary with her son are among the most beloved in Christian art. Devotion to Mary in her dual role as the human mother and a divine being reached its peak in the 14th to 16th centuries, creating tremendous demand for mother and child depictions. The term Madonna is Italian for “my lady” and was conferred as a title of respect or high rank, but came to be synonymous with the mother of the holy child and with tender representations of the two.
This slideshow features 32 Madonnas by Italian artists such as Raphael, Botticelli, Leonardo da Vinci, Andrea della Sarto, Luca della Robbia, Bellini, Tiepolo and Barocci from major museums, including those in Washington DC, London, Vienna, Berlin, Amsterdam, Dresden, St. Petersburg and New York (The Met), as well as the Walter’s Art Gallery in Baltimore, the Vatican Museum, and Michelangelo’s exquisite Madonna from The Church of Our Lady in Bruges.
The Eternal City— timeless yet ever-vibrant—commemorates its mythical founding each April 21st marked by elaborate parades, theatrical performances and historical re-enactments showcasing the rituals of ancient Rome. Better known, when in Rome, as Natale di Roma, these special festivities (a 3-day affair) speak to the city’s multi-millennia legacy as a cradle of Western civilization.
Today’s “Postcards” serves as an homage to the singular city of seven hills once known as Caput Mundi—Latin for “head of the world.”
Few civilizations have left as indelible a mark as that of ancient Rome. The streets of the city are paved with history and myth that still invite to take a journey back in time to a civilization whose scale and ambition seem almost superhuman: the imposing grandeur of the Colosseum; aqueducts that snake like arteries; and roads that extend like a sophisticated nervous system, all emanating from Roma.
Roman architecture is an eternal wonder. The Pantheon, more than any other structure, transcends its materials to make a statement both of grandeur and grace. It speaks to a civilization whose combined practicality and design genius redefined space and defied time.
The Rome of Christendom attests to another great history and awe-inspiring spiritual venture. At its center is St Peter’s Basilica, with its double colonnade and an elliptical piazza in front and bordered by palaces and gardens. It is the largest ecclesiastical structure in the world, the fruit of the combined genius of Bramante, Raphael, Michelangelo and Bernini
In the seventeenth century, Rome became the ultimate testament to Catholic majesty and triumph as expressed in all the arts. Baroque architects, artists, and urban planners so magnified and invigorated the classical and ecclesiastical traditions of the city that it became for centuries afterward the acknowledged capital of the European art world—not only a magnet for tourists and artists but also a font of inspiration throughout the Western world.
Today Rome’s particular vibrance derives from how the city’s multi-layered illustrious past and fashionable present so harmoniously coexist in its fascinating and varied neighborhoods that attract young and old the world over.
From the Centro Storico areas such as Campo Marzio to Prati and Monti, and from the Trastevere, now one of Rome’s most beautiful and beloved neighborhoods, to the Testaccio, for diehard foodies, Rome hums with a unique vivacity.
Off the tourist radar is the fantastical Art Nouveau Coppedè District located just north of the city center. Its fountains and villas were designed solely by Gino Coppedè who drew inspiration from ancient Greek, Baroque, Medieval, neoclassical, and Gothic styles—a milestone of eclecticism—well worth an afternoon of exploration.
For the past three decades Natale di Roma has been celebrated by the Gruppo Storico Romano, a historical dramatic society that re-enacts battles, gladiator fights, costumed processions, Roman rituals and displays of ancient theater and dance. The theme of this year’s Natale di Roma festival is Regina Viarum, a reference to the Appian Way—the “queen of roads”— for which Italy is currently seeking UNESCO World Heritage status.
A mysterious fantasy world awaits in the Sacro Bosco di Bomarzo, colloquially known as the Park of the Monsters—a unique garden with dozens of sculptures of otherworldly creatures based upon classical mythology, all immersed in the natural vegetation.
The park was conceived by the eccentric Renaissance prince Pier Francesco Orsini (1523-1585), the lord of Bomarzo, following the premature death of his beloved wife Giulia Farnese as a way to cope with his grief. He was assisted by one of the most famous architects of the period, also one of the designers of the Tivoli Gardens, Pirro Ligorio. The Orsini family symbol was the bear (orso in Italian).
This ”sacred grove” is considered to be the oldest sculpture park in the modern world, with most of the sculptures carved out of the bedrock on site and blocks of local volcanic peperino stone, typical of the region.
In the last century, surrealist Salvadore Dali would be deeply influenced by the gardens. He made short film there, and the park inspired one of his paintings, The Temptation of Saint Anthony.
Many have attempted to interpret the garden’s meaning, but to little avail. The mascherone (large mask) rock face, which has become the iconic symbol of the park, bears the inscription Ogni pensiero vola, which means “every thought flies,” so perhaps the intention is for our imaginations to take wing.
Bomarzo makes for a great day trip by car from Rome. When in Rome you can also check out Palazzo Zuccari, a 16th-century residence located on the Via Gregoriana just off the Spanish Steps. It is known as the “House of Monsters” for the decorations on its doors and windows, inspired by—surprise!—the Gardens of Bomarzo.
Copyright - Postcards from the Boot.